Waiting for the Barbarians: SCREENPLAY IN. GRANANRY -DAY TRACKING apoplexy- FRONTAL VIEW Magistrate and Joll are base on balls quickly down the hall. at that place are bum noises in the background of doors shutting and mickle walking) MAGISTRATE What if your prisoner is sexual intercourse the truth, further finds he is non believed? Is that not a terrible office? Imagine: to be vigilant to yield, to yield, to render nothing to a greater extent(prenominal) to yield, (speech becomes hurrying and passionate) to be broken, yet to be pressed to yield more! And what a righteousness for the interrogator! How do you ever bop when a piece of music has told you the truth? (gasp) Joll walks faster and Magistrate go behind. COLONOL JOLL There is a current tactile property (verbal pause). A au consequentlytic tone enters the voice of a man who is telling the truth. formulation and experience train us to recognize that tone. (said with declaration and assurance) tightl ipped UP- MAGISTRATE show aggravation MAGISTRATE The tone of truth! TRACKING tang - FRONTAL VIEW MAGISTRATE Can you pick up this tone in every day speech? Can you take in whether I am telling the truth? (said as he catches up with Joll) Both men stop and face each(prenominal) other. COLONEL JOLL No, you misunderstand me.
I am speaking only of a special situation now, I am speaking of a situation in which I am probing for the truth, in which I have to exert pressure to find it. number one I trance lies, you see - this is what happens-first lies, then pressure, then more lies, then more pressure, then the br eak, then more pressure, then the truth. Thi! s is how you get the truth. Magistrate continues on by himself into the prison section of the Granary. IN. prison - MID DAY SILENCE - echoes of disregard whispers LONG piquantness Magistrate pulls... If you want to get a full essay, order it on our website:
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